-African-American sculptor associated with the Harlem Renaissance
-She began making clay figures as a child, mostly small animals, but her father would beat her when he found her sculptures.
Yes, These Folks Are Good Artists
Friday, November 4, 2011
Beauford Delaney
-A celebrated artist who was part of the Harlem Renaissance during the 1930's and 40's.
-Moved to Paris in 1953 where he developed a distinct style of abstract impressionism, and became a mentor and friend to expatriate writers James Baldwin and Henry Miller.
-His artwork became increasingly abstract and non-representational over the years.
-Died tragically in a Paris insane asylum in 1979.
-He bears a striking resemblance to my grandfather.
Self-portrait |
Jazz Quartet |
Thursday, October 27, 2011
Tony Matelli
Tony Matelli |
- Tony Matelli’s hyper-real sculptures of meat and vegetable portraits, sprouting weeds, stacked cards, sleepwalking humans and malicious chimpanzees captures your attention with immediacy, a visual poignancy that would make it hard not to react with curiosity and amusement.
- Matelli’s uses his own struggles and pessimisms as a launching pad to his work, a romantic artist with a diaristic approach sharing stories of problems and trying to undo those problems which only risks being less interesting and even inhumane.
- Guest at VCU.
Double Meat Head, cast aluminum, cast bronze, urethane, paint, 2009 |
Old Enemy, New Victim, silicone, urethane foam, fiberglass, steel, hair, 2007 |
Wednesday, October 26, 2011
Paul Signac
"Sunday," 1888-1890 |
Leonid Tishkov
Marni Kotak
Sunday, October 16, 2011
Teresita Fernández
Teresita Fernández |
•VCU Alumni
•1992 Sculpture + Extended Media MFA
•Selected by President Obama to serve on the U.S. Commission of Fine Arts; a panel which advises the government on national matters of design and aesthetics such as the design and site of national memorials and museums.
•Fernández is best known for her prominent public sculptures and unconventional use of materials, which are characterized by an interest in perception and the psychology of looking.
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